Investor Presentation
November 3, 2023
Forward Looking Statements
CAUTIONARY NOTE REGARDING FORWARD LOOKING STATEMENTS PURSUANT TO THE U.S. PRIVATE SECURITIES LITIGATION REFORM ACT OF 1995:
This presentation contains, and our officers and representatives may from time to time make, "forward-looking statements" within the meaning of the safe harbor provisions of the U.S. Private Securities Litigation Reform Act of 1995. The "forward looking statements" can be identified by words such as "may," "should," "could," "estimates," "predicts," "potential," "continue," "anticipates," "believes," "plans," "expects," "future" and "intends" and similar references to future periods. Examples of forward-looking statements include, among others, statements we make regarding our future revenues, expenses and profitability, the future development and expected growth of our business, attendance at movies generally or in any of the markets in which we operate, the number or diversity of popular movies released and our ability to successfully license and exhibit popular films, national and international growth in our industry, competition from other exhibitors, and alternative forms of entertainment.
Forward-looking statements are neither historical facts nor assurances of future performance. Instead, they are based only on our current beliefs, expectations, and assumptions regarding the future of our business, future plans, and strategies, projections, anticipated events and trends, the economy and other future conditions. Because forward-looking statements relate to the future, they are subject to inherent uncertainties, risk, and changes in circumstances that are difficult to predict and many of which are outside our control. Our actual results and financial condition may differ materially from those indicated in the forward-looking statements. Therefore, you should not rely on any of these forward-looking statements. Although it is not possible to predict or identify all uncertainties and risks, we encourage investors to read the risk factors we described in our most recent annual and periodic reports filed with the Securities and Exchange Commission.
These risk factors include, but are not limited to, the impacts of the COVID-19 pandemic on our business and the entertainment industry; ; our dependance on film production and performance; the seasonality of our business; our substantial long-term lease and debt obligations; our reliance on film distribution companies and the potential for alternate film distribution channels; regulation related to data protection, data security and privacy laws; economic instability and currency exchange risks related to our foreign operations; and the effects of general political, social, health and economic conditions on attendance at our theatres.
All forward-looking statements are expressly qualified in their entirety by these cautionary statements and such risk factors. We undertake no obligation, other than as required by law, to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise.
Except as otherwise specified or indicated by the context references in this presentation to "we," "us," "our," "Cinemark" or the "Company" are to the combined business of Cinemark Holdings, Inc. and its consolidated subsidiaries.
NON-GAAP FINANCIAL MEASURES:
GAAP refers to the U.S. generally accepted accounting principles. We include certain non-GAAP financial measures in this presentation, including Free Cash Flow, Adjusted EBITDA and other financial measures utilizing Adjusted EBITDA. These non-GAAP financial measures may not be comparable to those of other companies and may not be comparable to similar measures used in our various filings. Please see the Appendix for definitions of our non-GAAP financial measures and a reconciliation of each non-GAAP financial measure to the most directly comparable financial measure stated in accordance with GAAP.
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Cinemark Overview
Cinemark Overview
One of the largest and most influential theatrical exhibition companies in the world with 507 theaters with 5,765 screens in 14 countries 1)
U.S. Operations 1)
- 3rd largest exhibitor (based on screen count and market share)
- Located in 42 states, 104 DMAs
- #1 or #2 in box office revenues in 80% of our top 25 markets 2)
- Highest attendance per screen among leading exhibitors
- Surpassed North American industry box office growth for 9 out of the past 10 years 2)
International Operations 1)
- First modern theatre experience throughout Latin America
- Highly seasoned team with 30 years of operating experience
- Located in 13 countries
- Presence in 15 of top 20 metropolitan cities in the region 2)
- ~25-30%market share in key countries
1) | 4 |
As of 9/30/2023 | |
2) | As of 12/31/2022 |
Highly Experienced Executive Leadership Team
Highly experienced management team with significant industry experience and proven track records; Additional key leaders with 20+ years of industry/Cinemark experience in the US and internationally
Sean Gamble
President & CEO
15+ years of industry experience. Joined Cinemark as CFO in 2014, promoted to COO in 2018 and CEO in 2022. Spent 5+ years as CFO/EVP of Universal Pictures within NBCUniversal prior to Cinemark.
Melissa Thomas
CFO
Joined as Cinemark's CFO in 2021. Prior to Cinemark, served multiple leadership roles with Groupon, including CFO, CAO & Treasurer, and VP Commercial Finance.
Valmir Fernandes
President, International
20+ years of Cinemark experience including the past
10+ years as President of International following 10 years as the General Manager of Cinemark Brazil
Mike Cavalier
EVP General Counsel & Business Affairs
Served as General Counsel since 1997. Helped guide company through various transactions including M&A, IPO and numerous lending agreements
Phillip Couch
EVP - Food &
Beverage
Wanda Gierhart
EVP - Chief Marketing
& Content Officer
Jay Jostrand
EVP - Real Estate &
Construction
Sid Srivastava
EVP - Human
Resources, DEI/CSR
Damian Wardle
EVP - Theater &
Technical Operations
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Exhibition Industry Trends
Stable, long-term industry growth trends across technology innovations and economic cycles with box office growth in 6 of the last 8 recessionary periods
North America Box Office Trends
Recliners and | ||||||||||
enhanced food | ||||||||||
Digital projector conversion | ||||||||||
DVD player | investments | |||||||||
Recession year | drops to $100 | |||||||||
(DVD heyday) | Mass OTT streaming adoption |
COVID-19 pandemic | Megaplex and | Exhibition | Financial | |||||
crisis | $11.4B | |||||||
bankruptcies/ | ||||||||
stadium seating | ||||||||
consolidation | ||||||||
Internet begins | Industry | |||||||
to go mainstream | recovery | |||||||
VHS begins to ramp | $7.5B | |||||||
post beta-max | ||||||||
1.57B patrons | ||||||||
1.38B patrons | 1.3B patrons | |||||||
$2.8B | ||||||||
1.1B patrons | ||||||||
1980 | 1985 | 1990 | 1995 | 2000 | 2005 | 2010 | 2015 | 2020 |
VCR | Internet | DVD | Streaming | |||||
6 |
Sources: North America ComScore; NATO
North American Industry Outperformance
Cinemark's operational excellence and execution of strategic priorities has driven faster domestic box office recovery and market share gains
TTM 3Q23 Box Office Recovery 1)
85% | |
79% | |
Domestic Industry | Cinemark |
Market Share 2) | TTM 3Q23 Market Share2) | |||
14% | ||||
23% | ||||
40% | ||||
13% | ||||
16% | ||||
7% | 14% | |||
TTM 3Q19 | TTM 3Q23 | AMC Regal Cinemark | Cineplex Others |
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- North American industry TTM 3Q23 vs TTM 3Q19 per comScore based on gross box office
- Market share data per ComScore based on gross box office
Latin American Industry Outperformance
Strong international presence throughout Latin America provides diversification, increased scale, cross-company synergies, and promotional opportunities with global partners
Market Share 1) 2) | TTM 3Q23 Market Share - Key Latin American Markets 2) | ||||||||
25% | Brazil | Argentina | |||||||
23% | 38% | ||||||||
57% | 12% | 42% | |||||||
23% | 8% | 10% 10% | |||||||
Cinemark | Cinepolis | Kinoplex | Others | Cinemark | Cinemacenter Cinepolis | Others | |||
Colombia | Chile | ||||||||
3% | |||||||||
25% | 19% | 19% | 37% | ||||||
17% | 39% | 41% | |||||||
TTM 3Q19 | TTM 3Q23 | ||||||||
1) All Latin American countries compiled based on TTM 3Q23 vs. TTM 3Q19 admissions; | Cinemark | CineColombia | Royal | Others | Cinemark | Cinepolis | Cineplanet | Others | |
8 |
- Source: comScore
Initiatives Driving Growth and Outperformance
Continuing to benefit from sustained investments in guest experience; prioritizing investments in strategic initiatives that position Cinemark for ongoing success
~70% U.S. recliner penetration - highest among major circuits 1)
#1 private-label premium large format in the world with nearly 300 auditoriums across US and LatAm
325+ auditoriums feature D-BOX motion seats that are synchronized with the on-screen action
Industry-leading technology and technological capabilities; first exhibitor to initiate Cinionic laser conversion
Heightened focus on the guest experience with guest service scores that consistently exceed 90%
~80% of U.S. circuit features expanded food & beverage offerings, ~60% with alcohol
Industry-leading subscription programs; ongoing evolution of loyalty programs
Sophisticated omni-channel marketing platform with significantly enhanced digital and social capabilities
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1) As of 9/30/2023
Financial Results
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Disclaimer
Cinemark Holdings Inc. published this content on 03 November 2023 and is solely responsible for the information contained therein. Distributed by Public, unedited and unaltered, on 03 November 2023 10:53:11 UTC.